The Pearl, Joh Steinbeck, 1945
Plot: Overall, predictable. But, as this is more like a fable, that is to be expected. This story (originally published in "Woman's Home Companion" in case that's interesting to anyone) reads very much like some Native American legend that I would have read in middle school. It has a good, though familiar, message; happiness can't be bought, as well as perhaps that one should accept one's station in life - aspirations are dangerous! Throw in something about not counting chickens and you've got the idea. It would follow then, that the ending wouldn't be a pleasant one and now I'm stuck. I have set a precedent of grading these books purely on story and not on the point behind them, however clear or vague that might be. But in this case I can't separate them. On the one hand, depressing. On the other I know it wouldn't make sense not to be. So...uh...6/10? Sometimes I hate the numbers.
Style: Super easy to read and beautiful. Seriously beautiful. I know I rave about Jane Austen because she is my favorite, but I would never describe her writing as beautiful. This guy knows how to get you in your soul. His descriptions are unique enough to really make me try to imagine the scene. Woven throughout the book is the theme of song. I can't do it justice so I won't try, all I'll say is that it has made me listen for music that I've never heard. I know that sounds really lame, just trust me. The book is super short. Read it and you'll know what I mean.
Hotness of the main character: Well Kino is a tanned, hard-working island man, so lots of points for that. But he also goes kind of crazy and develops a bit of a temper, so...5/10.
The character who I would most like to be: no thanks.
Re-readability: Rarely. It is short and easy to read, so that is in it's favor here, but it's also depressing. But it's beautiful.
Final decision: I can't decide. I think that I'll Shelf It, just because of the music.
Tuesday, December 8, 2009
Thursday, December 3, 2009
Sense and Sensibility - Final Review
Sense and Sensibility, Jane Austen, 1811
I can't help by prefacing this review with a statement: I love love love Jane Austen. I fully admit it. Prior to this one, I had only read P&P by her, and had heard from many sources that it was by far her best work, which none of her other novels came close to matching. So though I was predisposed to like this book (having already enjoyed the movie as well), I wasn't as biased as you might think. That being said, I absolutely ate this book up. I have more reading time now that I'm riding the bus to work and I really couldn't wait to get on the bus and crack this book open. Loved it. Now, onto the official review:
Plot: I would say predictable, but I've seen the movie a couple of times so I'm not really sure. It definitely was a great narrative; it had tragic love, conflict, and above all, an exceedingly happy ending. Nothing too surprising goes on, but it is completely satisfying. 9.5/10
Style: The more comfortable I get with Austen, the more I love her style. Her use of sarcasm, both in describing the characters and in the words of the characters themselves, is funny and even potentially underused. She describes some conversations in great detail and leaves others to the reader's imagination, yet I never felt slighted by the details left out. There is no time wasted in superfluous description, which bores me to no end. She shows all of the traits of each character, whether flattering or not. There are even a few instances in which you change your opinion of a character just as Elinor or Marianne go through the same change of mind. 10/10
Hotness of the main character: Well the main characters are female, so I will defer on this point. And Austen knows exactly how hot she wishes each of the main male characters to be at different stages throughout the story, and tells you so, so this isn't really a question of opinion anyway.
The character who I would most like to be: I don't think there's any question to this one. Elinor is the older sister who basically holds her crazy family together. And she gets to marry Hugh Grant...er...I mean Edward. :)
Re-readability: is daily an option? Seriously though, I could read this every year.
Final decision: SHELF IT, DUH.
Last thought: I wish people in real life would act like these characters in one respect: when someone realized they were wrong, all of them would instantly go to the offended party and beg for forgiveness. If someone criticized the actions of another, an instant apology would follow for the offense. It seems like "difficult" conversations would be just so much easier to have. So people: act like you're in a Jane Austen novel. :)
I can't help by prefacing this review with a statement: I love love love Jane Austen. I fully admit it. Prior to this one, I had only read P&P by her, and had heard from many sources that it was by far her best work, which none of her other novels came close to matching. So though I was predisposed to like this book (having already enjoyed the movie as well), I wasn't as biased as you might think. That being said, I absolutely ate this book up. I have more reading time now that I'm riding the bus to work and I really couldn't wait to get on the bus and crack this book open. Loved it. Now, onto the official review:
Plot: I would say predictable, but I've seen the movie a couple of times so I'm not really sure. It definitely was a great narrative; it had tragic love, conflict, and above all, an exceedingly happy ending. Nothing too surprising goes on, but it is completely satisfying. 9.5/10
Style: The more comfortable I get with Austen, the more I love her style. Her use of sarcasm, both in describing the characters and in the words of the characters themselves, is funny and even potentially underused. She describes some conversations in great detail and leaves others to the reader's imagination, yet I never felt slighted by the details left out. There is no time wasted in superfluous description, which bores me to no end. She shows all of the traits of each character, whether flattering or not. There are even a few instances in which you change your opinion of a character just as Elinor or Marianne go through the same change of mind. 10/10
Hotness of the main character: Well the main characters are female, so I will defer on this point. And Austen knows exactly how hot she wishes each of the main male characters to be at different stages throughout the story, and tells you so, so this isn't really a question of opinion anyway.
The character who I would most like to be: I don't think there's any question to this one. Elinor is the older sister who basically holds her crazy family together. And she gets to marry Hugh Grant...er...I mean Edward. :)
Re-readability: is daily an option? Seriously though, I could read this every year.
Final decision: SHELF IT, DUH.
Last thought: I wish people in real life would act like these characters in one respect: when someone realized they were wrong, all of them would instantly go to the offended party and beg for forgiveness. If someone criticized the actions of another, an instant apology would follow for the offense. It seems like "difficult" conversations would be just so much easier to have. So people: act like you're in a Jane Austen novel. :)
Monday, November 16, 2009
Catch-22 - Final Review
Catch-22, Joseph Heller, 1955
Plot: Relatively non-existent. This book takes place with a squadron of bombadiers as WWII draws to a close and shares tons of little anecdotes about their time together. It is sort of in the middle, as about half of the stories are things that have already happened and half of the "plot" is moving forward. However, this book is much more about how the characters deal with their circumstances than a straightforward narrative. Because of this, it is hard to grade it down on plot when there wasn't really supposed to be one. I enjoyed the little stories though, so...um...5/10?
Style: I realize that I am far from the most well-read person ever, but I have never read a book with such an unusual style. Much of the stylistic characteristics of previous books I've read can (at least partly) be attributed to the time period. But in this instance, I think it is all Heller. This book was alternately hilarious and gruesome. The characters consistently talk in circles and have conversations with each other that go nowhere. It is funny, but hard to imagine anyone actually having that sort of conversation. Also, there were so many characters it was nearly impossible to keep them all straight, especially because he would mention them once and then not again for 5 chapters or so. Heller described people in great detail: their facial features, their mannerisms, but didn't do the same for the settings or environments. It was crazy and hard to follow at times, but it was so much fun to read. 8/10
Hotness of the main character: John "Yo-Yo" Yossarian. Physical attributes aside (partly because I don't remember them and partly because Heller seemed to describe everyone frankly and unflatteringly) he seems like a pretty normal guy. He cared about his friends, and didn't care about the other guys. All he wanted to do was go home. And also he slept around a lot. Too much of a charity case for me. :) 3/10
The character who I would most like to be: Oh wow there are so many to choose from. I think I'd pick Orr. He had infinite patience, made the best of every situation and was totally funny.
Re-readability: Occasionally. It might be nice to read again with a better understanding of the characters and where everything is going.
Fun quote: "Why did you walk around all day with rubber balls in your hands?"..."I did it to protect my good reputation in case anyone ever caught me walking around with crab apples in my cheeks. With rubber balls in my hands I could deny there were crab apples in my cheeks. Every time someone asked me why I was walking around with crab apples in my cheeks, I'd just open my hands and show them it was rubber balls I was walking around with, not crab apples, and that they were in my hands, not my cheeks. It was a good story. But I never knew if it got across or not, since it's pretty tough to make people understand you when you're talking to them with two crab apples in your cheeks."
Final Decision: Shelf it.
Plot: Relatively non-existent. This book takes place with a squadron of bombadiers as WWII draws to a close and shares tons of little anecdotes about their time together. It is sort of in the middle, as about half of the stories are things that have already happened and half of the "plot" is moving forward. However, this book is much more about how the characters deal with their circumstances than a straightforward narrative. Because of this, it is hard to grade it down on plot when there wasn't really supposed to be one. I enjoyed the little stories though, so...um...5/10?
Style: I realize that I am far from the most well-read person ever, but I have never read a book with such an unusual style. Much of the stylistic characteristics of previous books I've read can (at least partly) be attributed to the time period. But in this instance, I think it is all Heller. This book was alternately hilarious and gruesome. The characters consistently talk in circles and have conversations with each other that go nowhere. It is funny, but hard to imagine anyone actually having that sort of conversation. Also, there were so many characters it was nearly impossible to keep them all straight, especially because he would mention them once and then not again for 5 chapters or so. Heller described people in great detail: their facial features, their mannerisms, but didn't do the same for the settings or environments. It was crazy and hard to follow at times, but it was so much fun to read. 8/10
Hotness of the main character: John "Yo-Yo" Yossarian. Physical attributes aside (partly because I don't remember them and partly because Heller seemed to describe everyone frankly and unflatteringly) he seems like a pretty normal guy. He cared about his friends, and didn't care about the other guys. All he wanted to do was go home. And also he slept around a lot. Too much of a charity case for me. :) 3/10
The character who I would most like to be: Oh wow there are so many to choose from. I think I'd pick Orr. He had infinite patience, made the best of every situation and was totally funny.
Re-readability: Occasionally. It might be nice to read again with a better understanding of the characters and where everything is going.
Fun quote: "Why did you walk around all day with rubber balls in your hands?"..."I did it to protect my good reputation in case anyone ever caught me walking around with crab apples in my cheeks. With rubber balls in my hands I could deny there were crab apples in my cheeks. Every time someone asked me why I was walking around with crab apples in my cheeks, I'd just open my hands and show them it was rubber balls I was walking around with, not crab apples, and that they were in my hands, not my cheeks. It was a good story. But I never knew if it got across or not, since it's pretty tough to make people understand you when you're talking to them with two crab apples in your cheeks."
Final Decision: Shelf it.
Tuesday, September 15, 2009
Great Expectations - Final Review
Great Expectations, Charles Dickens, 1860
Plot: Terrible. Okay, so by the end it came together and the last quarter of the book had some decent action to it, but up until that point, absolutely nothing of interest happened. Add to that the fact that I still don't really understand the concept of a wealthy person using their own money to make some random poor kid a "gentleman" and you end up with pretty much blah. 3/10
Style: Oh boy. I love me some Dickens. Just about as soon as I'd get bogged down in the nothingness that was going on, he'd throw in some sarcasm or a great quip and I'd be stuck reading some more. And while I was disappointed in the amount of lead up it took to get to the good stuff, the good stuff was pretty dang good. 7/10
Hotness of the main character: Well he started out as a young kid, so we'll skip to the end for this part. Pip was a hopeless romantic (points for this) but was hung up on a girl who treated him terribly and couldn't get over her (negative points for this). He had a decent amount of debt and treated his family from before he became a gentleman with contempt. So those aren't particularly good traits. Still, he had a good heart and always felt remorse for these actions; to the point of complete humility and repentance at the end. Goodness...um...5/10?
The character I would most like to be: I'd have to choose between the girl who all the boys love and the loyal best friend. The girl is a great manipulater and can make the boys do anything she wants...definitely a useful power, but sort of lonely I'd think. I'll go with Herbert I suppose.
Re-readability: Once in a blue moon. Dickens' writing is the only thing keeping me from making this never again. It was drugery to get through.
Final Decision: Sell it.
Thursday, June 18, 2009
Frankenstein - Final Review
Frankenstein, Mary Shelley, 1816
Plot: Good stuff. Suspense, horror, action, foreshadowing all there. Still, fairly depressing...okay really depressing, with no redeeming happiness at the end. 6/10
Style: Mostly good. Had no difficulty following this at all, and for many sections was an easy read. Shelley though, worked very hard to make this about the human condition (which I will ignore, as I am uninterested in most big-picture metaphors and simply want a good story). And while some authors have succeeded in weaving their story with their agenda subtle-y and seamlessly, Shelley sort of randomly delves into these huge, philosophical monologues delivered by one of the main characters. It's probably halfway profound, decent stuff, but as mentioned, not the point for me. So those parts were a bit laborious. 6/10
Hotness of the main character: The main character is most definitely Victor Frankenstein, and not his monster, so let's just clarify that right out. :) He is a brilliant guy, always wants to be learning, on the forefront of science, etc. He loves Elizabeth from when they are children and wants to be with her forever, but sometimes his work comes first. As the book progresses, he becomes very depressed and frantic at what he has unleashed upon the world. His thoughts are always for the safety of others, but he gets sort of crazy. 5/10?
The character I would most like to be: Difficult, since [SPOILER ALERT] most people in this book end up dead. I'll go with Henry Clerval. He's a great friend, happy, optimistic about life, and gets to take this great trip! Yay for travel!
Re-readability: Rarely. I guess the end must have been really unsatisfactory, because I remember really enjoying this book, but right now, having just finished it, I'm okay with not reading it any more, or at least for a long long time.
Final Decision: Sell it.
Plot: Good stuff. Suspense, horror, action, foreshadowing all there. Still, fairly depressing...okay really depressing, with no redeeming happiness at the end. 6/10
Style: Mostly good. Had no difficulty following this at all, and for many sections was an easy read. Shelley though, worked very hard to make this about the human condition (which I will ignore, as I am uninterested in most big-picture metaphors and simply want a good story). And while some authors have succeeded in weaving their story with their agenda subtle-y and seamlessly, Shelley sort of randomly delves into these huge, philosophical monologues delivered by one of the main characters. It's probably halfway profound, decent stuff, but as mentioned, not the point for me. So those parts were a bit laborious. 6/10
Hotness of the main character: The main character is most definitely Victor Frankenstein, and not his monster, so let's just clarify that right out. :) He is a brilliant guy, always wants to be learning, on the forefront of science, etc. He loves Elizabeth from when they are children and wants to be with her forever, but sometimes his work comes first. As the book progresses, he becomes very depressed and frantic at what he has unleashed upon the world. His thoughts are always for the safety of others, but he gets sort of crazy. 5/10?
The character I would most like to be: Difficult, since [SPOILER ALERT] most people in this book end up dead. I'll go with Henry Clerval. He's a great friend, happy, optimistic about life, and gets to take this great trip! Yay for travel!
Re-readability: Rarely. I guess the end must have been really unsatisfactory, because I remember really enjoying this book, but right now, having just finished it, I'm okay with not reading it any more, or at least for a long long time.
Final Decision: Sell it.
Wednesday, June 10, 2009
An Observation
I have now read 6 "classics" and am about halfway through Frankenstein and I have had the following thought:
First of all, I realize that 6 is not really an acceptable sample size, but that's what I have to work with so far, so I will. I have chosen to shelf 5 of them (SPOILER ALERT: soon to be 6, I am loving Frankenstein) and sell back only 1. This is an over 80% success rate. I feel like these books are classics for a reason, and for some reason, that is nice to know. This is a strong contrast to the visual arts world, where the difference between "good" art and "bad" art seems amazingly arbitrary in my opinion. Of course, this observation could change as I continue reading, but for now, I thought I'd share it.
Thoughts? (Feel free to bash on modern art...)
First of all, I realize that 6 is not really an acceptable sample size, but that's what I have to work with so far, so I will. I have chosen to shelf 5 of them (SPOILER ALERT: soon to be 6, I am loving Frankenstein) and sell back only 1. This is an over 80% success rate. I feel like these books are classics for a reason, and for some reason, that is nice to know. This is a strong contrast to the visual arts world, where the difference between "good" art and "bad" art seems amazingly arbitrary in my opinion. Of course, this observation could change as I continue reading, but for now, I thought I'd share it.
Thoughts? (Feel free to bash on modern art...)
Wednesday, May 27, 2009
Wuthering Heights - Final Review
Wuthering Heights, Emily Bronte, 1847
Plot: Interesting. I think simply because of the time period and the culture, I had Jane Austen in mind when this book began, but the plot is so different from anything I have experienced of Austen. It was refreshing, in that way, though Austen is dear to my heart for her light heartedness and optimism and Bronte (at least this sister) didn't find that necessary. Still, the unpredictableness made it very interesting as I was never sure where it was going to end up. 8/10
Style: It is funny now to remember that I had a really hard time following this when I first started, because I got so used to it by the end that it wasn't difficult. Some of the challenge is cultural; Bronte's contemporaries would have understood when she said "the master" or Mr. So-and-So, (among a whole family of So-and-Sos) who exactly she was referring to. Also, one particular character has an accent written so thickly that I often found myself whispering the dialogue in order to understand it. This method rarely worked. Luckily, he was not primary to the story. What I'm getting at, I suppose, is that the difficulties I had with style were no fault of the authors, and there was one moment in particular that I was struck by the emotion and passion in her writing. I was all of a sudden absolutely captivated. Major points for that. 8/10
Hotness of the main character: I suppose the main character would be Mr. Heathcliff, although the narrative switches around throughout. He is sort of a terrible creature who is bent on revenge, etc. He seems to have no capacity for forgiveness or any sort of compassion. Even the narrator, who attempts to give him the benefit of the doubt for as long as possible, ends up hating his behaviour, if not himself. His one redeeming quality, and it is redeeming enough to make up for at least a few of his other shortcomings, is the strength of his love for Catherine and the lengths he goes through for her (though I suppose in retrospect, much of it was selfish as well). 3/10
The character I would most like to be: I've got nothing here. The masters of the houses all suffer pain and heartbreak and the others in their families are abused nonstop. Not to mention the incredible boredom of living in this society that I believe I have mentioned before.
Re-readability: I would like to read this again, since it is written a little bit backwards. Knowing how all the people grow up, it would be nice to see the beginning of the book again since I finally have all the characters straight.
Final Decision: Shelf it.
Plot: Interesting. I think simply because of the time period and the culture, I had Jane Austen in mind when this book began, but the plot is so different from anything I have experienced of Austen. It was refreshing, in that way, though Austen is dear to my heart for her light heartedness and optimism and Bronte (at least this sister) didn't find that necessary. Still, the unpredictableness made it very interesting as I was never sure where it was going to end up. 8/10
Style: It is funny now to remember that I had a really hard time following this when I first started, because I got so used to it by the end that it wasn't difficult. Some of the challenge is cultural; Bronte's contemporaries would have understood when she said "the master" or Mr. So-and-So, (among a whole family of So-and-Sos) who exactly she was referring to. Also, one particular character has an accent written so thickly that I often found myself whispering the dialogue in order to understand it. This method rarely worked. Luckily, he was not primary to the story. What I'm getting at, I suppose, is that the difficulties I had with style were no fault of the authors, and there was one moment in particular that I was struck by the emotion and passion in her writing. I was all of a sudden absolutely captivated. Major points for that. 8/10
Hotness of the main character: I suppose the main character would be Mr. Heathcliff, although the narrative switches around throughout. He is sort of a terrible creature who is bent on revenge, etc. He seems to have no capacity for forgiveness or any sort of compassion. Even the narrator, who attempts to give him the benefit of the doubt for as long as possible, ends up hating his behaviour, if not himself. His one redeeming quality, and it is redeeming enough to make up for at least a few of his other shortcomings, is the strength of his love for Catherine and the lengths he goes through for her (though I suppose in retrospect, much of it was selfish as well). 3/10
The character I would most like to be: I've got nothing here. The masters of the houses all suffer pain and heartbreak and the others in their families are abused nonstop. Not to mention the incredible boredom of living in this society that I believe I have mentioned before.
Re-readability: I would like to read this again, since it is written a little bit backwards. Knowing how all the people grow up, it would be nice to see the beginning of the book again since I finally have all the characters straight.
Final Decision: Shelf it.
Monday, April 20, 2009
Dracula - Final Review
Dracula, Bram Stoker, 1897
Plot: Absolutely excellent. Begins with seemingly unrelated people and events and brings them together very well. There is a great deal of suspense, which is increased all the more by the well-rounded (if a bit caricature-ish) characters. As the reader, I felt almost a part of their group of friends who are willing to do anything to help each other, a theme that is repeated frequently. 9/10
Style: This book is written, not as a novel, but as a series of journal entries, newspaper clippings, telegrams, etc. Some of the journal entries are fairly long and read very much like a novel. It was a bit difficult to follow at times, because three of the main characters have a great deal of "journaling" included, and it switches back and forth many times. I had to keep checking back to see whose I was reading so that it would all make sense. I loved this format and thought it was very clever. It was a way to put the story into first person without the assumption that the narrator survives - an important point for the suspense. 9/10
Hotness of the main character: This is really made up of an ensemble "cast" and believe it or not, Dracula is not the main character, so I don't have to go there. There are, in essence, 5 men to speak of here. Dr. Van Helsing is old, but totally smart, loyal and awesome. Dr. Seward gets points (as do all of these men) for being willing to do anything to help his friends as they hunt the vampire. However, he runs an insane asylum and spends a great deal of time there. Jonathan Harker is brave, but is scarred emotionally from all that he experiences at the beginning of the book. Damaged goods. Plus, he's married. Arthur Holmwood is also awesomely brave and loyal. His drawback? [SPOILER ALERT] He was about to be married to Dracula's first victim, so he's got broken heart issues. Then we have Quincy Morris, my pick for best of the book. He's from Texas and he's kinda shy in all the right ways. He seems to be the most fiercely loyal one of the whole bunch. No numerical ratings for this group.
The character I would most like to be: [SPOILER ALERT] Well all of the girls get killed or almost killed by Dracula and deal with pretty nasty horrors. So I'm not going to really go there. I'll go with Dr. Van Helsing. He's an awesome dude. Totally cool under pressure, always knows the right steps to take, listens well to others' ideas and concedes when they are better than his own. (By the way, if you're imagining Hugh Jackman, you're doing it all wrong.)
Re-readability: Occasionally. I almost gave this a "frequently" rating, but then you take all the good suspense out of it. You have to let it sit for a while first.
Final Decision: SHELF IT!
Plot: Absolutely excellent. Begins with seemingly unrelated people and events and brings them together very well. There is a great deal of suspense, which is increased all the more by the well-rounded (if a bit caricature-ish) characters. As the reader, I felt almost a part of their group of friends who are willing to do anything to help each other, a theme that is repeated frequently. 9/10
Style: This book is written, not as a novel, but as a series of journal entries, newspaper clippings, telegrams, etc. Some of the journal entries are fairly long and read very much like a novel. It was a bit difficult to follow at times, because three of the main characters have a great deal of "journaling" included, and it switches back and forth many times. I had to keep checking back to see whose I was reading so that it would all make sense. I loved this format and thought it was very clever. It was a way to put the story into first person without the assumption that the narrator survives - an important point for the suspense. 9/10
Hotness of the main character: This is really made up of an ensemble "cast" and believe it or not, Dracula is not the main character, so I don't have to go there. There are, in essence, 5 men to speak of here. Dr. Van Helsing is old, but totally smart, loyal and awesome. Dr. Seward gets points (as do all of these men) for being willing to do anything to help his friends as they hunt the vampire. However, he runs an insane asylum and spends a great deal of time there. Jonathan Harker is brave, but is scarred emotionally from all that he experiences at the beginning of the book. Damaged goods. Plus, he's married. Arthur Holmwood is also awesomely brave and loyal. His drawback? [SPOILER ALERT] He was about to be married to Dracula's first victim, so he's got broken heart issues. Then we have Quincy Morris, my pick for best of the book. He's from Texas and he's kinda shy in all the right ways. He seems to be the most fiercely loyal one of the whole bunch. No numerical ratings for this group.
The character I would most like to be: [SPOILER ALERT] Well all of the girls get killed or almost killed by Dracula and deal with pretty nasty horrors. So I'm not going to really go there. I'll go with Dr. Van Helsing. He's an awesome dude. Totally cool under pressure, always knows the right steps to take, listens well to others' ideas and concedes when they are better than his own. (By the way, if you're imagining Hugh Jackman, you're doing it all wrong.)
Re-readability: Occasionally. I almost gave this a "frequently" rating, but then you take all the good suspense out of it. You have to let it sit for a while first.
Final Decision: SHELF IT!
Tuesday, April 7, 2009
Tuesday, March 3, 2009
Miss me yet?
Just in case all (1) of you are missing me, here is the reason why I haven't posted in a while.
First, I read the autobiography of Randy Couture, a MMA fighter. It was interesting in content, but not a very good read, if you know what I mean. Not that you could expect anything different from a man who got punched in the face for a living.
Then, I began to read Dracula, but got sidetracked almost immediately by the book I'm reading now: "Three Cups of Tea". It is the non-fiction story of a mountain climber who set out to build a school for children in a Pakistani village that he accidentally found. It is a GREAT book. Once I'm done with that, I'll get back to Dracula and the classics, which is what I know you are all (1) waiting for. :)
See you soon!
First, I read the autobiography of Randy Couture, a MMA fighter. It was interesting in content, but not a very good read, if you know what I mean. Not that you could expect anything different from a man who got punched in the face for a living.
Then, I began to read Dracula, but got sidetracked almost immediately by the book I'm reading now: "Three Cups of Tea". It is the non-fiction story of a mountain climber who set out to build a school for children in a Pakistani village that he accidentally found. It is a GREAT book. Once I'm done with that, I'll get back to Dracula and the classics, which is what I know you are all (1) waiting for. :)
See you soon!
Thursday, February 5, 2009
War of the Worlds - Final Review
War of the Worlds, Herbert George Wells, 1898
Plot: Decent. There was a vague sense of "what will happen next," but I am inclined to believe that a story about a martian attack on the earth could have been much more suspenseful than it actually was. It was a well-thought out story with plenty of descriptive details about everything from the physiology of the martians to the features of a particular house. 6/10
Style: It was written in first person, from the distant point of view of a man who lived through this experience years ago and is now committing it to paper. I liked the style and the way in which he addresses his reader, saying what probably would or would not interest me. It provided a neat connection to the character. Overall though, I ended up being mostly bored. It was a good story, but I spent most of the time trying to finish it so I can move on to the next book. 5/10
Hotness of the main character: n/a I think the reason why I can't rate this is because often the way to tell is by the character's interactions with the other people he comes across in the course of the story. During the martian invasion, the main character spends a great deal of time alone. When he is in the company of a fellow survivor, the actions are tempered so much by the strangeness of the situation that it is impossible to tell what kind of person he really is.
The character I would most like to be: How about not anyone in the greater London area during the time this book takes place?!? Tons of them are killed by the martians and many others surely end up with PTSD after the stuff they witness. No Thank You.
Re-readablility: Probably never again. It wasn't that it was awful, it just wasn't that great.
Final decision: Sell it.
(Note: I will be taking a break from the classics to read the biography of Randy Couture. Jealous, much?) :)
Plot: Decent. There was a vague sense of "what will happen next," but I am inclined to believe that a story about a martian attack on the earth could have been much more suspenseful than it actually was. It was a well-thought out story with plenty of descriptive details about everything from the physiology of the martians to the features of a particular house. 6/10
Style: It was written in first person, from the distant point of view of a man who lived through this experience years ago and is now committing it to paper. I liked the style and the way in which he addresses his reader, saying what probably would or would not interest me. It provided a neat connection to the character. Overall though, I ended up being mostly bored. It was a good story, but I spent most of the time trying to finish it so I can move on to the next book. 5/10
Hotness of the main character: n/a I think the reason why I can't rate this is because often the way to tell is by the character's interactions with the other people he comes across in the course of the story. During the martian invasion, the main character spends a great deal of time alone. When he is in the company of a fellow survivor, the actions are tempered so much by the strangeness of the situation that it is impossible to tell what kind of person he really is.
The character I would most like to be: How about not anyone in the greater London area during the time this book takes place?!? Tons of them are killed by the martians and many others surely end up with PTSD after the stuff they witness. No Thank You.
Re-readablility: Probably never again. It wasn't that it was awful, it just wasn't that great.
Final decision: Sell it.
(Note: I will be taking a break from the classics to read the biography of Randy Couture. Jealous, much?) :)
Monday, January 19, 2009
Oliver Twist - Final Review
Oliver Twist, Charles Dickens, 1837
Plot: Good. Fairly complex, but only because of the number of characters involved. Overall it was very satisfying with all of the loose ends tied up into a neat little bundle by the end. Just like I like it. 9/10
Style: This is hard to judge. On the one hand, I was pleasantly surprised by the humor and sarcasm that Dickens uses which makes it a really fun read. One of my favorite quotes, which I marked to be sure to share with you:
"The doctor seemed especially troubled by the fact of the robbery having been unexpected, and attempted in the night-time; as if it were the established custom of gentlemen in the housebreaking way to transact business at noon, and to make an appointment, by post, a day or two previous."
On the other hand, well, let's just say that I'm glad I never had to diagram a Dickens sentence. He is famous for his convoluted phrasing for a good reason. For the most part, I enjoyed deciphering his paragraph-long sentences and found myself smiling at the unique way he put the words together. But when it came time to explain the conclusion to the convoluted plot, I was at a loss to understand what was going on. I eventually figured it out by context later, but I'm convinced that I lost a good 5-10 pages. My final complaint would be the number of characters. Characters that seemed minor would make a reappearance in later pages and serve to completely confuse me as I wouldn't remember their significance from before. I feel like I needed to make a flow chart or a web graph to get it all sorted out. Anyway, I loved this book overall and am excited to read more Dickens. 8/10
Hotness of the main character(s): Well Oliver Twist is a little boy, so how bout we don't even go there. There are too many characters to list here, all young, old or completely unsavory. There was, however, a side plot that involved one Mr. Harry Maylie who was very reminiscent of an end-of-the-book Mr. Darcy. So that gets 10/10 automatically. :)
The character I would most like to be: I suppose Rose. She is sweet and kind and well...basically...Harry loves her. That's all I need to say about that!
Re-readability: When I'm in the mood to really READ, like, take time to understand each sentence, I would love to read this again. That doesn't happen super often though, so let's go with occasionally.
Final decision: Shelf it
Plot: Good. Fairly complex, but only because of the number of characters involved. Overall it was very satisfying with all of the loose ends tied up into a neat little bundle by the end. Just like I like it. 9/10
Style: This is hard to judge. On the one hand, I was pleasantly surprised by the humor and sarcasm that Dickens uses which makes it a really fun read. One of my favorite quotes, which I marked to be sure to share with you:
"The doctor seemed especially troubled by the fact of the robbery having been unexpected, and attempted in the night-time; as if it were the established custom of gentlemen in the housebreaking way to transact business at noon, and to make an appointment, by post, a day or two previous."
On the other hand, well, let's just say that I'm glad I never had to diagram a Dickens sentence. He is famous for his convoluted phrasing for a good reason. For the most part, I enjoyed deciphering his paragraph-long sentences and found myself smiling at the unique way he put the words together. But when it came time to explain the conclusion to the convoluted plot, I was at a loss to understand what was going on. I eventually figured it out by context later, but I'm convinced that I lost a good 5-10 pages. My final complaint would be the number of characters. Characters that seemed minor would make a reappearance in later pages and serve to completely confuse me as I wouldn't remember their significance from before. I feel like I needed to make a flow chart or a web graph to get it all sorted out. Anyway, I loved this book overall and am excited to read more Dickens. 8/10
Hotness of the main character(s): Well Oliver Twist is a little boy, so how bout we don't even go there. There are too many characters to list here, all young, old or completely unsavory. There was, however, a side plot that involved one Mr. Harry Maylie who was very reminiscent of an end-of-the-book Mr. Darcy. So that gets 10/10 automatically. :)
The character I would most like to be: I suppose Rose. She is sweet and kind and well...basically...Harry loves her. That's all I need to say about that!
Re-readability: When I'm in the mood to really READ, like, take time to understand each sentence, I would love to read this again. That doesn't happen super often though, so let's go with occasionally.
Final decision: Shelf it
Tuesday, January 13, 2009
New Books and Reading Order
So for my birthday I recieved these books:
Dracula - Bram Stoker
Frankenstein - Mary Shelley
The Jewel of Seven Stars - Bram Stoker (about mummies)
Cycle of the Werewolf - Stephen King (okay, probably not a classic, but it fit the theme!)
These will most likely be the next books I will read and review:
(these I have)
War of the Worlds - H.G. Wells
Dracula - Stoker
Frankenstein - Shelley
The Pearl - John Steinbeck
Great Expectations - Charles Dickens
Cycle of the Werewolf - King
Wuthering Heights - Emily Bronte
The Jewel of Seven Stars - Stoker
(these I need)
Emma - Jane Austen
Winter of our Discontent - John Steinbeck
Lorna Doone - Richard Doddridge
The Great Gatsby - F. Scott Fitzgerald
Jane Eyre - Charlotte Bronte
Catch-22 - Joseph Heller
The Vicar of Wakefield - Oliver Goldsmith
The Pickwick Papers - Charles Dickens
Moby Dick - Herman Melville
Gone With the Wind - Margaret Mitchell (I saw this one in a bookstore today. Good Lord it's long!)
1984 - George Orwell
Cannery Row/Sweet Thursday - John Steinbeck
Midnight's Children - Salman Rushdie
Infinite Jest - David Foster Wallace
Anna Karenina - Leo Tolstoy
Dracula - Bram Stoker
Frankenstein - Mary Shelley
The Jewel of Seven Stars - Bram Stoker (about mummies)
Cycle of the Werewolf - Stephen King (okay, probably not a classic, but it fit the theme!)
These will most likely be the next books I will read and review:
(these I have)
War of the Worlds - H.G. Wells
Dracula - Stoker
Frankenstein - Shelley
The Pearl - John Steinbeck
Great Expectations - Charles Dickens
Cycle of the Werewolf - King
Wuthering Heights - Emily Bronte
The Jewel of Seven Stars - Stoker
(these I need)
Emma - Jane Austen
Winter of our Discontent - John Steinbeck
Lorna Doone - Richard Doddridge
The Great Gatsby - F. Scott Fitzgerald
Jane Eyre - Charlotte Bronte
Catch-22 - Joseph Heller
The Vicar of Wakefield - Oliver Goldsmith
The Pickwick Papers - Charles Dickens
Moby Dick - Herman Melville
Gone With the Wind - Margaret Mitchell (I saw this one in a bookstore today. Good Lord it's long!)
1984 - George Orwell
Cannery Row/Sweet Thursday - John Steinbeck
Midnight's Children - Salman Rushdie
Infinite Jest - David Foster Wallace
Anna Karenina - Leo Tolstoy
Saturday, January 10, 2009
PSA
Okay, so it's more like a Me-SA, but anyway. I'm looking for a job. If you hear of anything, please let me know. I'm happy to send my resume to anyone who wants it. :) I'm also on LinkedIn so if you are, find me!
Thanks everyone!
Thanks everyone!
Saturday, January 3, 2009
a thought...just one
I have read the first 5 chapters of Oliver Twist (Dickens) and I just HAD to share that I find it absolutely hilarious and incredibly entertaining. I have been told that Dickens is not always funny, but it makes me look forward to everything I have on my list by him. That is all.
Friday, January 2, 2009
Of Mice and Men - Final Review
Of Mice and Men, John Steinbeck, 1937
First of all, I'd like to say how incredibly grateful I am not to have been forced to read this for high school English. I could read the book for the characters and story and not to analyze the social commentary. (At least until my jerk brother started asking pointed questions. He did have to read it for class.)
Plot: The story kept my interest throughout. It was short, so there wasn't any superfluous lame stuff. All important. I appreciated the relationships between the characters and the fact that most of the people you met were more than 2-dimensional stereotypes. However, (I will take a moment to remind you that these reviews are based on my enjoyment, and not of the "quality" of the novel) Steinbeck loses points here for the lack of happy ending. And more for the fact that not only was it not happy, it was downright depressing. 7/10
Style: Good pace. Straightforward and easy to follow. In stark contrast to Wells, Steinbeck takes time to paint the scene in a way very reminiscent of a long exposition shot in a movie. I would almost forget that characters were going to make an appearance and that plot was going to happen because it is easy to get wrapped up in the beauty of the scene. Authors can most certainly spend too much time on description (cough, Mark Twain, cough) but for me, Steinbeck was perfect. Also, like I said above, I really love the way that he wrote the characters. Though the story was short, I feel like I really got them. 9/10
Hotness of the main character(s): George Milton - Small, sharp-featured, curses frequently. Doesn't own anything of his own. But, he takes care of his slow-witted friend no matter what he does. Oh, and he didn't get a whore when all the other guys did. At least that's the assumption. Points for a heart of gold. Loses some (most?) of those for [MAJOR SPOILER!] killing the slow guy in the end. 2/10
Lennie Small - Really big, really dumb, kills small animals [SPOILER] and some people(accidentally!), doesn't remember much. But, he's a sweet guy. Still... 2/10
The character I would most like to be: Slim. This was a hard, and sort of weird, decision. So I picked the guy who got all the respect. People liked working on his team, he invited confidence, he was kind-hearted and reassuring and really good at his job. His word went, too. That would be nice.
Re-readability: The depressing ending will bring this one down lower than it probably should go. So - once in a blue moon.
Final decision: Shelf it (purely for Steinbeck's writing skill. I wouldn't be heartbroken to lose this one)
First of all, I'd like to say how incredibly grateful I am not to have been forced to read this for high school English. I could read the book for the characters and story and not to analyze the social commentary. (At least until my jerk brother started asking pointed questions. He did have to read it for class.)
Plot: The story kept my interest throughout. It was short, so there wasn't any superfluous lame stuff. All important. I appreciated the relationships between the characters and the fact that most of the people you met were more than 2-dimensional stereotypes. However, (I will take a moment to remind you that these reviews are based on my enjoyment, and not of the "quality" of the novel) Steinbeck loses points here for the lack of happy ending. And more for the fact that not only was it not happy, it was downright depressing. 7/10
Style: Good pace. Straightforward and easy to follow. In stark contrast to Wells, Steinbeck takes time to paint the scene in a way very reminiscent of a long exposition shot in a movie. I would almost forget that characters were going to make an appearance and that plot was going to happen because it is easy to get wrapped up in the beauty of the scene. Authors can most certainly spend too much time on description (cough, Mark Twain, cough) but for me, Steinbeck was perfect. Also, like I said above, I really love the way that he wrote the characters. Though the story was short, I feel like I really got them. 9/10
Hotness of the main character(s): George Milton - Small, sharp-featured, curses frequently. Doesn't own anything of his own. But, he takes care of his slow-witted friend no matter what he does. Oh, and he didn't get a whore when all the other guys did. At least that's the assumption. Points for a heart of gold. Loses some (most?) of those for [MAJOR SPOILER!] killing the slow guy in the end. 2/10
Lennie Small - Really big, really dumb, kills small animals [SPOILER] and some people(accidentally!), doesn't remember much. But, he's a sweet guy. Still... 2/10
The character I would most like to be: Slim. This was a hard, and sort of weird, decision. So I picked the guy who got all the respect. People liked working on his team, he invited confidence, he was kind-hearted and reassuring and really good at his job. His word went, too. That would be nice.
Re-readability: The depressing ending will bring this one down lower than it probably should go. So - once in a blue moon.
Final decision: Shelf it (purely for Steinbeck's writing skill. I wouldn't be heartbroken to lose this one)
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